Save the Date



Turning Point Ensemble: Colourful World

Turning Point PosterJanuary 29, 2012 @ 8:00pm
Fei & Milton Wong Experimental Theatre – Goldcorp Centre for the Arts
149 West Hastings Street
Vancouver, BC

Tickets: Adult $38; Senior $35; Student  $10

Available on-line  or by calling the Playhouse box office at (604) 873-3311

 

Enjoy this rare opportunity to be musically engaged with a new chamber symphony by Rodney Sharman, the Canadian premiere of Toru Takemitsu’s Archipelago S.  and a new arrangement of Debussy’s Jeux by Michael Bushnell.

Recent additions to the program are Takemitsu’s Rain Coming and Feldman’s A Very Short Trumpet Piece performed by Marcus Goddard plus Ariel Barnes (cello) and Jane Hayes (piano) will perform Debussy’s Cello Sonata to encore a collaboration that was initiated this past fall.

Full details here.

January 29, 2012
8:00 pm

Scott Good Ensemble: Recital

Scott Good PosterJanuary 27, 8:00pm
CCMC Music Gallery
197 John Street 
Toronto, Ontario

Tickets: $30 regular; $15 member; $25 advance at ticketweb.ca

This recital is in essence, an eclectic collection of pieces.  Two works from Good’s own oeuvre express an energized spirit – thick with sounds and textures shifting and changing.   Each work combines composition and improvisation, blurring the boundaries between, allowing the disciplines to mingle freely in search of the most immediate ways to express particular timbres and emotions of an intimate, personal nature.  Influences on these compositions range from such major works as Naomi Kline’s The Shock Doctrine, or Kurt Vonnegut’s Galapagos,  to the haunting image of a Willow tree, at night, glowing in lamp light on a downtown Toronto street.

Ryoanji by John Cage, and Speigel im Speigel by Arvo Part have sharp contradictions in their language and construction, yet poignant similarities in their emotions – calm and reverent.  They serve to balance the exuberance of Good’s own compositions.

Program:

  • Ryoanji – John Cage
  • Shock Therapy Variations – Scott Good
  • Speigel im Speigel - Arvo Part
  • Concerto for improvising performer and Jazz Band – Scott Good

Trombone soloist: Scott Good

Ensemble:

  • Andrew Chappell
  • Nadia Felix
  • Marc Funkenhauserer
  • Sarah Gates
  • Joel Green
  • Lisa Grifiths
  • Wallace Halladay
  • Justin Han
  • Rebecca Hennessy
  • Edwin Huizinga
  • Michael Kaler
  • Stewart Laughton
  • Shaun Mallinen
  • Alexander MacLeod
  • Evan Mounce
  • David Ogborn
  • Gregory Oh
  • David Pell
  • Joseph Petric
  • Joseph Phillips
  • Erik Ross
  • Dan Salvendy
  • MarkSegger
  • Christian Sharpe
  • Shawn Spicer
  • Jamie Thompson

For full details, please visit The Music Gallery’s event listing.

January 27, 2012
8:00 pm

Kwantlen/LCMS: 2nd Annual Faculty Residency Chamber Concert

January 14th, 2012 @ 7:30pm

Rose Gellert Hall, Langley Community Music School

4899 207th Street

Langley, BC

 

Featuring:

  • Paolo Bortolussi, Flute
  • Calvin Dyck, Violin
  • Joel Stobbe, Cello
  • Jane Hayes, Piano

 

 

 

Programme:

 

  • Haydn, Franz Joseph (1732-1809): Trio in C for Flute, Violin and Cello
  • Vaughan Williams, Ralph (1872-1958): Lark Ascending for violin and piano
  • Villa-Lobos, Heitor (1887-1959): Assobio a Jato (flute and cello)
  • Chatman, Stephen (b. 1950): In Memoriam Harry Adaskin for flute and piano (arr.)
  • Chang, Dorothy (b. 1970): Wrath for solo flute
  • Mendelssohn, Felix (1809-1847): Trio Op. 49 #1 for violin (arr. Flute), cello and piano

 

Flutist Paolo Bortolussi is known as a passionate and provocative performer of a wide range of musical styles. Raised in Halifax, Nova Scotia, he has appeared as a soloist and chamber musician across Canada and the US. Currently principal flutist with the Vancouver Island Symphony, Paolo has appeared as soloist with the VIS as well as the Albany (NY) Symphony and has performed with the Turning Point Ensemble, the Vancouver Opera Orchestra, The Vancouver Intercultural Orchestra, as well as the Vancouver and Victoria Symphony Orchestras, in addition to broadcasts on CBC and SRC radio. He is a featured soloist on Vancouver Visions, a Centredisc release of Canadian composer Stephen Chatman’s music as well as Mirages, a CD of chamber works by Dorothy Chang available through the Canadian Music Centre.

 

A specialist in contemporary music, Paolo is the Artistic Director of the Nu:BC Collective, a new music and multimedia arts ensemble in residence at the University of British Columbia. To date the Nu:BC Collective has premiered more than 30 works by BC composers through its annual affiliation with the Sonic Boom Festival from 2008 to 2011. In 2007, The Nu:BC Collective commissioned and premiered Doubling, by Jules-Leger winning composer Chris Paul Harman, as well as A Perfect Focus, by Vancouver composer Christopher Sivak. This year’s projects with Nu:BC included the commission and premiere of Gamaka, by Taylor Brook, and 22 Arguments for the Suspension of Disbelief, written for the ensemble by Brian Cherney, as well as an exciting collaboration with the BC Chinese Music Ensemble, funded by an Arts Partner Grant, where the combined groups, including Chinese and western instruments, premiered six works by Chinese and Canadian composers. In 2012, Nu:BC will release its first CD “Beyond Shadows”, featuring  works by Dorothy Chang, Brian Cherney, Chris Paul Harman, and Marc Mellits.

 

A graduate of the University of Ottawa and the Indiana University School of Music, where he received his Masters and Doctoral degrees, Paolo has presented masterclasses at Indiana University, the University of Alberta, The University of Calgary, Dalhousie University, Acadia University, Indiana State University, and the University of Evansville. He currently teaches flute at Kwantlen University, and is Director of the Contemporary Players Ensemble at the University of British Columbia.

 

From the age of five, Calvin Dyck showed an aptitude for music and soon discovered his love for performing and bringing enjoyment to others.  Despite a college aptitude test recommending a career as a “tug-boat captain”, he was awarded a scholarship to study at Biola University and subsequently studied in the states for 9 years, eventually receiving a Doctorate from the University of Southern California.

He is in demand as a performer, producer, violin teacher and adjudicator, and has been featured on dozens of recordings.  His eclectic career has taken him to surprising places, from Chihuahua, Mexico to Havana, Kiev, Paris and Whitehorse.  Highlights in his career include performing for the opening ceremonies of the 2010 Winter Olympics, performing with Il Divo, Ben Heppner, the Canadian Tenors and Anne Murray. Currently concertmaster for the Vancouver Island Symphony and the Canada West Chamber Orchestra, Calvin also teaches at Kwantlen University College, directs the Abbotsford Youth Orchestra and produces the popular variety show “Songs Strings and Steps”.

Calvin has recorded four disks for Communitas, a faith-based charity which provides care and services to people living with disabilities.  For more information see www.calvindyck.com

Born and raised in Prince George, Joel Stobbe received his Artistic Diploma of Music Performance from the Augsburg Conservatory of Music in Germany, regularly performing as
soloist and with chamber groups in Germany, France and Italy.  Upon his return to Canada, Joel was a founding member of the Borealis String Quartet (2000-2005).  He toured with the quartet,
giving performances throughout Canada and the United States, with frequent broadcasts on radio and television.  In addition to regular quartet activities, Joel enjoyed giving educational concerts
and masterclasses to young people from Dawson City to New York City.

 

Recently Joel has furthered both his teaching and solo careers by taking a position at the Langley Community Music School.  He is the coordinator for advanced programs and program advisor for the string department at the Langley Community music school.  In addition to his active solo career, Joel enjoys adjudicating and giving masterclasses, and teaching chamber music.  As an orchestra musician, Joel currently serves as principal cellist with the Vancouver Island Symphony and the Canada West Chamber Orchestra. Joel continues to enjoy a life long hobby of wood work as well as automotive restoration.

 

Since her debut with the Toronto Symphony, Jane Hayes’ concerts have taken her across Canada, the United States and Europe. Her early studies were in her native Ottawa and she went on to study with such notable pianists as Bela Siki, Menahem Pressler, Pierre Sancan, and Patricia Parr.  She can be heard frequently on CBC radio and has recordings available on the Fanfare, EMI, Centrediscs, ATMA, Artifact, CBC-Musica Viva and CBC SM5000 labels.

 

Jane Hayes’ repertoire spans baroque through contemporary solo and chamber music. For years, she was a favorite collaborator of cellist Harvey Shapiro in the Victoria International Festival of the Arts and  has partnered such fine instrumentalists as violinists Eugene Fodor and Daniel Heifetz, cellists Andras Diaz and Tsuyoshi Tsutsumi, and flutists Julius Baker, Carol Wincenc and Bonita Boyd among others. But as a performer and teacher, Jane has been noted for her involvement in making contemporary music accessible to audiences, students and teachers.

 

To that end, Jane has premiered dozens of new works written for her, for the Yarilo Ensemble and for the Turning Point Ensemble of which she is a founding member. She has also been a featured artist on five CDs devoted to the music of Canadian composers – Remember Your Power (the music of John Burke), Strange Spheres (music of Rudolf Komorous), Disasters of the Sun (the music of Barbara Pentland, with Judith Forst), Expressivity (solo piano music of Christopher Ludwig), and Far Other Worlds (the music of Euphrosyne Keefer).  Her edition and CD of three early solo piano works of Barbara Pentland has just been published by Avondale Press.

 

In addition to being the Director of Keyboard Studies at Kwantlen Polytechnic University in Langley, Jane maintains a busy performing and adjudicating schedule.  Now Past-President of the Canadian Music Festival Adjudicators’ Association, she regularly travels to both small and large Canadian centres to judge solo and chamber competitions, including the E-Gre competition, Pacific Coast Music Association Competitions, and provincial and local festivals. As a performer, she frequently appears in a collaborative capacity.  Her performances consistently receive rave reviews.  As Lloyd Dyck wrote in the Vancouver Sun, “her performance had such an impact that I wanted to hear it again, right away.”

January 14, 2012
7:30 pm

Victoria Symphony: Call for Scores

Victoria Symphony Orchestra Score Readings Eligibility & Guidelines

  • Deadline: Friday, January 27th, 2012
  • Applicant must be a resident of British Columbia, Canada.
  • No age restrictions.
  • Each composer may submit only one composition for consideration. Works that have been professionally performed are not eligible. Works previously submitted to the VS for consideration may be resubmitted.
  • Compositions must be less than fifteen minutes in length. A portion or movement from a longer work may also be considered.
  • Instrumentation for the orchestra should not exceed the VS standard symphonic complement: 2222/2210/T-1, Str 65442.
    • Additional players can be provided at the expense of the composer: $117 per player, $145/Principal player.
    • Doubling is $58.50/player, or $72.50 for a principal player in that case.
    • Piano costs may include rental and tuning fees.
  • For successful applicants that have their pieces performed, there is a $100 charge for an archival CD. Please make payable to the Victoria Symphony Players Association (VSPA).
  • Wind doublings and extra players are possible, but costs incurred will be paid by the selected composers. Works with soloists will be considered. In the case of vocal soloists, piano, guitar, etc. the soloist will be provided by the composer without cost to the Victoria Symphony.
  • Works employing electronics, MIDI and digital technology will be considered.
    • The orchestra, however, may not be amplified
    • Any and all electronics must be provided by the composer without cost to the Victoria Symphony
  • All successful composers must be prepared to provide professional, legible orchestral parts and conductor score prepared according to guidelines established by the Canadian Music Centre
    • Parts and scores must be double-sided, bound (book format) and string parts bowed. Materials must be delivered to the VS office no later than Friday, February 17th, 2012.
  • The quality of the score submitted is the primary evaluation criteria. It is therefore in the applicant’s best interest that the score be clear, accurate, and the best representation of the composer’s work.
  • Works will be selected by jury.
 Incomplete, illegible, or late applications will not be considered. A complete submission must include the following:
  • One copy of the score, clearly labeled with the composer’s name and title of the work on the cover page.
  • A current résumé.
  • A self-addressed stamped envelope suitable for the return of materials. The VS is not responsible for lost scores.

Complete submissions to be sent to:

Sarah Head, c/o Victoria Symphony 610-620 View St. Victoria

sarah@victoriasymphony.ca

tel: (250) 412-1983

Readings will take place on April 19, 2012 at a time and place to be determined, and will be conducted by Giuseppe Pietraroia. There will be an informal discussion for the composers with VS Executive Director, Mitchell Krieger following the readings.

January 27, 2012
5:00 pm

Redshift Music Society: B.A.M.! 10th Anniversary

Blusson Spinal Cord CentreJanuary 20, 2012 @ 8:00pm
Blusson Spinal Cord Centre
818 West 10th Avenue
Vancouver, BC
Tickets: $15 general; $10 students/seniors/artists

Tickets available at the door 

The Redshift Music Society is celebrating our tenth anniversary (to the day!) with a percussion extravaganza. On January 20th, The Fringe Group will team up with a pounding parliament of some of the most profound and percussive personalities in the province, presenting premieres by Canadian composers Kathleen AllanJocelyn MorlockJordan NoblesJames O’CallaghanAlfredo Santa Ana, and Chris Sivak.

The concert will include  Jocelyn Morlock’s new work for percussion quartet, “I Love Paul Klee“, commissioned by the Fringe Group with generous assistance from the BC Arts Council.

Come join in the architectural splendour of the three-level glass atrium of the Blusson Spinal Cord Centre, raise a glass, and hear some of the most thrilling music being composed in Canada today!

NB: Are you attending the Canadian New Music Network’s FORUM (January 19-22)? If so, present your Forum Pass at the door and you will get into this concert for free!
January 20, 2012
8:00 pm

Coulior Duo: World Premier

January 13, 2012 @ 8:00pm
St. Mark’s Anglican Church
1805 Larch Street
Vancouver, BC
Tickets at the door: $20 general; $23 seniors; $15 students

Join the Couloir Duo for an evening of chamber music!
The evening will include World Premieres of “Drifting Seeds” by American Baljinder Sekhon and “A monk, dancing” by Canadian Glenn Buhr, as well as performances of Jocelyn Morlock‘s “Three Meditations on Light” and Nico Muhly‘s “Clear Music” with special guest Maryliz Smith.
Glenn Buhr will be joining Couloir from Ontario for the World Premiere of his piece.
January 13, 2012
8:00 pm

PuSh Performing Arts Festival

PuSh Festival

January 17 – February 4, 2012
Multiple Venues
Vancouver, BC
Tickets:

The PuSh International Performing Arts Festival is one of Vancouver’s signature events. Produced over three weeks each January, the PuSh Festival presents groundbreaking work in the live performing arts.

The PuSh Festival expands the horizons of Vancouver artists and audiences with work that is visionary, genre-bending, multi-disciplined, startling and original. The Festival showcases acclaimed international, Canadian and local artists and mixes them together with an alchemy that inspires audiences, rejuvenates artists, stimulates the industry and forges productive relationships around the globe.

The Festival is a broker of international partnerships, a meeting place for creative minds, a showcase of Canada’s best and an incubator of brilliant new work. PuSh’s vision is to be a festival of national importance—artistically respected, greatly anticipated and highly valued as a catalyst for cultural and community development!

January 17, 2012 1:00 pmtoFebruary 4, 2012 1:00 pm

Erato Ensemble: Nocturne

Erato EnsembleJanuary 20, 2012 @ 8:00pm
 Chapel at St. Andrew’s-Westley United Church
1022 Nelson Street
Vancouver, BC
Tickets: $20 (seating limited – reservation required)

Available via: email (eratoensemble@gmail.com)

January 21, 2012 @ 8:00pm
St. Thomas Anglican Church
2444 East 41st Avenue
Vancouver, BC
Tickets: $10 at the door

On a dark and cold winter night
Erato Ensemble presents
music to warm your soul~

An evening of hymns, nocturnes, autumnal odes and candlelight!

Performers:

  • William George, tenor
  • Catherine Laub, soprano
  • Michael Strutt, guitar
  • Tanya Kliefoth, flute
  • Stefan Hintersteininger, cello
  • Rita Attrot, organ

Music by:

January 20, 2012
8:00 pm
January 21, 2012
8:00 pm

SFU: Attacca

ATTACCA LogoJanuary 13, 2012 @ 8:00pm
World Art Studio – Room 2555
SFU Woordwards
149 West Hastings Street
Vancouver, BC

Tickets: Available at the door; suggested donation of $5 students, $10 general

 

This concert features new works for quintet and string trio by SFU’s graduating student composers.

Works by:

  • Neo He
  • Remy Siu
  • Evan Watkins
  • Daniel Simmons
  • Sebastian Laskowski

Guest professional performers:

  • Mark Ferris, violin
  • Reg Quiring, viola
  • AK Coope, clarinet
  • Peggy Lee, cello
  • Marguerite Witvoet, piano
  • Martin Fisk, percussion

More information available via the concert’s website and their Facebook event

You may also contact Professor David MacIntyre for  more information by

SFU Composition School

January 13, 2012
8:00 pm

New Music Networking Forum: Connecting Practices, Geographies and Cultures

New Music Networking Forum

Connecting Practices, Geographies and Cultures

January 19 through January 22, 2012
Vancouver, BC

The fifth CNMN national Forum is hosted by Simon Fraser University’s School for the Contemporary Arts at its new home at SFU Woodward’s, 149 West Hastings Street in downtown Vancouver.

CNMN National Forums offer face to face connections with artistic directors, music educators, improvisers, producers, composers, arts administrators, performers, scholars, music lovers and others who believe in the value of the many forms of new music and sound art and seek to deepen and strengthen their practice across Canada.

To facilitate participation, CNMN is offering Habitation, a billeting project in Vancouver in which local hosts are matched with Forum registrants, and information for potential travel funding, including a Support Letter that can be tailored for submission to funding agencies and institutions.

Theme

Reflecting the times and the rapid evolution of the practice and dissemination of new music, Forum 2012 brings together some of the most innovative thinkers in North America to discuss what is ahead for the art form and its networks.

While music practitioners are redefining their roles within their home communities through intercultural collaborations and partnerships with education, environment, social, health and other groups, networked platforms have opened pathways for collaboration and dissemination in a globally interconnected context. Emerging technologies are transforming the way music is conceived, composed and performed through radical new instruments, interfaces and robotic intelligences.

New music is stepping more and more beyond conventional concert venues to inhabit an array of contexts and places that stretch both the music and the experience. Similarly, a blur between composer and performer and between audience and practitioner is evolving the art form as philosophical ideas and interactive methodologies become integrated into the practice of new music.

In the midst of these deep and far-reaching developments, at the core of Forum 2012 is a reminder and a recognition that the heart of any musical practice, whether ancient, modern or radically new, is about connecting — with sound, with place and with each other.

Format

Forum 2012 creates avenues for connection through small group discussion, facilitated exchanges, listening and sound making activities, interactive demonstrations and open forums. New this year is Language Facilitation, a flexible way for speakers of varying levels of French and English to communicate more deeply with one another.

Each day of the Forum includes a themed open session using the Unconference model, where attendees can bring topics, ideas and issues, and where moments of interest from previous sessions can be elaborated. The results of these open discussions will guide CNMN in its role of supporting and championing the relevance, excellence and sustainability of the Canadian new music community.

The Forum venue includes dedicated spaces for attendees to display materials (CD’s, scores, brochures, newsletters, announcements, etc.) and places to interact musically and try new technologies.

We will also hear One-Page Scores by Forum attendees — don’t miss the call, deadline December 30!

We hope you join us in Vancouver for three days of illuminating connections and music.

Forum 2012 Advisory Committee Co-Chairs: Tina M Pearson and Randy Raine-Reusch.

Committee: Bob Baker (CMC BC Regional Director), DB Boyko, David Pay, Mark Armanini, Janice Jackson, Kara Gibbs and Coat Cooke.

 

For further details, please visit the Canadian New Music Network’s Forum page (links on the right of that page).

January 19, 2012 4:00 pmtoJanuary 22, 2012 4:00 pm